IN THE STUDIO Audio Engineering & Music Production Techniques

Reference

Genre Chain Reference

Working pros develop instincts for what each genre wants out of the gate. The table below collects the starting points I default to—not rules, just defaults. Every record will pull you somewhere else. Reference records for each genre live in Suggested Listening.

GenreVocal ChainTempoMaster LUFS & Character
Hip-Hop / TrapC-800G or U 87 → Neve 1073 → Tube-Tech CL 1B70–90−8 to −10 LUFS; upfront, mono, doubled
R&B / SoulC-800G or U 67 → Avalon 737 → LA-2A80–110−10 to −8; intimate, breathy, warm
PopU 87 or M 149 → Neve 1073 → LA-2A100–130−10 to −12; tuned, de-essed, layered, wide
RockU 47 or SM7B → API 512 → 1176100–180−10 to −13; present, room ambience, gritty
Electronic / DanceU 87 or C-800G → API 512 → 1176120–140−7 to −9; processed, effected, layered, wide
CountryU 47 or Telefunken ELA M 251 → Neve 1073 → 117670–130−12 to −10; natural, intimate, story-forward
Latin / ReggaetonC-800G or U 87 → Avalon 737 → Tube-Tech CL 1B90–105−8 to −6; rhythmic, saturated, ad-libs panned
GospelU 87 or C 414 → Manley VOXBOX → LA-2A60–120−12 to −10; dynamic preserved, lead and choir layered

Tempo notes: hip-hop reads as half-time of a 140–180 BPM drum grid. Reggaeton uses the dembow grid. Gospel tempo can vary widely within a single song.

Every artist breaks every rule above. These are starting points—places to begin when the producer hasn't told you yet.